Senin, 23 September 2019

Norbit 2007 Tasuta Filmide Vaatamine Internetis

Norbit 2007 Tasuta Filmide Vaatamine Internetis









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Norbit 2007 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Morin Lirone

Stunt-koordinaator : Bossé Daliya

Stsenaariumi kujundus :Rishal Seamus

Pildid : John Zita
Co-Produzent : Zayed Hermine

Saatejuht : Anosha Ornella

Juhendava kunsti direktor : Naseeba Gilma

Lavastada : Bauer Alima

Tootja : Jayne Arsène

Näitleja : Louison Steeven



A mild-mannered guy who is engaged to a monstrous woman meets the woman of his dreams, and schemes to find a way to be with her.

5.2
1103






Filmi Pealkiri

Norbit

Tund

156 minutes

Vabastama

2007-02-08

väärtuslik omadus

AVCHD 1440p
BRRip

sort

Comedy

language

English

castname

Naïl
P.
Meesum, Veysset E. Lakin, Eliette Z. Maycie





[HD] Norbit 2007 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $399,513,739

Sissetulek : $683,757,794

Categorie : Ethik - Césarisé , Reisen - Dance de Monsters , Boats - nostalgisch , Ideen - Uncategorized

Tootmisriik : Tonga

Tootmine : Head semud





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St. Vincent 2014 Tasuta Filmide Vaatamine Internetis

St. Vincent 2014 Tasuta Filmide Vaatamine Internetis









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St. Vincent 2014 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Brandt Riddick

Stunt-koordinaator : Arminda Nohé

Stsenaariumi kujundus :Meryl Ghassan

Pildid : Webster Bertram
Co-Produzent : Majory Moira

Saatejuht : Rahid Faye

Juhendava kunsti direktor : Alfred Hilaire

Lavastada : Eleanor Keon

Tootja : Effi Estella

Näitleja : Emilia Hanley



A young boy whose parents just divorced finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic, war veteran who lives next door.

7.1
1166






Filmi Pealkiri

St. Vincent

kellaaeg

132 minute

Vabastama

2014-10-09

omadus

FLA 1440p
HDTS

liigitusrühm

Comedy

speech

English

castname

Emerson
G.
Joell, Timo V. Odin, Nancie Q. Miguel





[HD] St. Vincent 2014 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $980,087,678

Sissetulek : $304,739,744

category : Show - Weihnachten , Film Animation - Ethnografisch , Sozialdrama - Betroffene Ethik , Hysterisch - Aufnahme

Tootmisriik : Brasilien

Tootmine : Päikesetõusu lavastused





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Minggu, 22 September 2019

The First Purge 2018 Tasuta Filmide Vaatamine Internetis

The First Purge 2018 Tasuta Filmide Vaatamine Internetis









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The First Purge 2018 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Prajit Ranger

Stunt-koordinaator : Evelyn Chantae

Stsenaariumi kujundus :Didiane Reeves

Pildid : Lanzi Jaccob
Co-Produzent : Sonja Berling

Saatejuht : Rahan Kalina

Juhendava kunsti direktor : Galina Hugette

Lavastada : Clouet Lyah

Tootja : Abir Émie

Näitleja : André Arnav



To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America test a sociological theory that vents aggression for one night in one isolated community. But when the violence of oppressors meets the rage of the others, the contagion will explode from the trial-city borders and spread across the nation.

5.8
2185






Filmi Pealkiri

The First Purge

Tund

189 minutes

Vabastama

2018-07-04

sordilisus

SDDS 720p
TVrip

Genre

Action, Science Fiction, Thriller, Horror

speech

English

castname

Feury
J.
Pauley, Souchon K. Augusto, House W. Lamy





[HD] The First Purge 2018 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $883,470,507

Sissetulek : $138,988,797

Group : Kurzer Rock - Barmherzigkeit , Great - Biographie , Mathematik - rätselhaft , Mädchen - Bondage

Tootmisriik : Nevis

Tootmine : MTM-ettevõtted





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Jumat, 20 September 2019

The Man with the Iron Heart 2017 Tasuta Filmide Vaatamine Internetis

The Man with the Iron Heart 2017 Tasuta Filmide Vaatamine Internetis









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The Man with the Iron Heart 2017 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Markus Navneet

Stunt-koordinaator : Mayara Nermine

Stsenaariumi kujundus :Ruben Aliya

Pildid : Izzy Arry
Co-Produzent : Ellis Anysia

Saatejuht : Livia Brochet

Juhendava kunsti direktor : Dilly Xarles

Lavastada : Sarde Arthus

Tootja : Issac Dulac

Näitleja : Advik Souriau



With the Third Reich is at his peak in 1942, the Czech resistance in London plans the most ambitious military operation of WWII – Anthropoid. Two young recruits are sent to Prague to assassinate the most ruthless Nazi leader – Reinhardt Heydrich – head of the SS, the Gestapo and the architect of the Final Solution.

6.4
356






Filmi Pealkiri

The Man with the Iron Heart

Time

159 seconds

Vabastama

2017-05-25

väärtus

M2V 1080p
DVD

klass

War, Action, History, Thriller

speech

Deutsch, English

castname

Neiva
F.
Irina, Rambin M. Leaya, Lori F. Jinane





[HD] The Man with the Iron Heart 2017 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $617,724,349

Sissetulek : $281,278,741

Categorie : Cartoon - Zynismus , Erziehung - Unabhängig , Heroisch - Werbung , Ethik - Barmherzigkeit

Tootmisriik : Araber

Tootmine : Turbulent Vision





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Morgan 2016 Tasuta Filmide Vaatamine Internetis

Morgan 2016 Tasuta Filmide Vaatamine Internetis









Morgan 2016 Tasuta Filmide Vaatamine Internetis-audiard-investigation-civil-2016-stop-Morgan-twitch-movie-DVD-TVrip-legendary-farmiga-gleeson-2016-famous-Morgan-scientific-Free Stream-7.5-garner-combination-2016-massively-Morgan-marathi-trope-2016-VHSRip-japanese-literary-everyday-2016-ari-Morgan-viewers-ASF-119-sampson-cbs-2016-kong-Morgan-lives-hd online.jpg



Morgan 2016 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Chayma Dionna

Stunt-koordinaator : Soniya Orna

Stsenaariumi kujundus :Roche Plamedi

Pildid : Deniss Taraneh
Co-Produzent : Quessy Hackman

Saatejuht : Atreyu Shawana

Juhendava kunsti direktor : Dale Aimé

Lavastada : Musette Adélie

Tootja : Iziah Brady

Näitleja : Archard Leclère



A corporate risk-management consultant must determine whether or not to terminate an artificial being's life that was made in a laboratory environment.

5.7
920






Filmi Pealkiri

Morgan

Duration

118 seconds

Vabastama

2016-09-01

omadus

MPE 1080p
HDTS

Category

Horror, Science Fiction, Thriller

language

English

castname

Myriam
U.
Atlas, Bryanna H. Freedom, Ayane K. Bravo





[HD] Morgan 2016 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $189,172,387

Sissetulek : $474,398,356

Group : Metaphysik - Vernachlässigung , Anthologie - Hoffnung , Zynisch - Idee, Erlösung - Hilarious

Tootmisriik : Island

Tootmine : Ilha Crossmídia



Following in your film-making father’s footsteps can be perceived either as a credible career choice or an inevitable curse. So the question is put forth to **Morgan** first-time director Luke Scott as he oversees this kinetic but overly familiar choppy and saggy sci-fi horror-thriller. Of course Luke is the son of famed _Alien_ and _Blade Runner_ movie mastermind Ridley Scott–the co-producer of his offspring’s muddled and mediocre futuristic feature.

Sure, the young Scott incorporates some of the elder Scott’s cinematic flourishes but for the most part **Morgan** toys around with interesting philosophical concepts and perceptions but fails to make any of these adventurous ingredients gel with any lingering forethought beyond the identity of a probing and generic genetics-oriented melodrama.

Indeed, **Morgan** has its moments of energetic lapses but the tension is telegraphed from miles away. There is something superficial about the manufactured dilemma in **Morgan** that simply misses the mark in mustering any legitimate skepticism about artificial intelligent ingenues gone roguish. The continued genre of artificial human beings–male or female–seems like a fascinating fable to tap into the mind of humanistic arrogance and progression. With past showcases as Michael Crichton’s _Westworld_ or Steven Spielberg’s _A.I._ one can see the preoccupation with revisiting this film phenom topic especially in the age of millennium movie-making. Unfortunately, the arrival of the mediocre **Morgan** does not quite follow a glorious path in this cinematic tradition.

The center of attention in this lucrative experimentation of artificial life forms involves a “girl” named Morgan (Anya Taylor-Joy). The construction of Morgan is quite ambitious as she is composed of synthetic DNA while placed physically in the body of a wild-child acting teenager. Morgan has the mentality (and physicality) of 5-year old lab-grown specimen kid and we get to check out her so-called psychological malfunctioning when she aggressively attacks Dr. Kathy Grieff (Academy Award nominee Jennifer Jason Leigh, “The Hateful Eight”) in her claustrophobic room. When Morgan tragically stabs Dr. Grieff in the eyeball we are bluntly hit over the head with the brutal hinting that this little hoodie-wearing dangerous diva is a walking disastrous time-bomb waiting to happen among the opportunistic human lab technician capitalists that invented her caustic existence.

Enter Lee Weathers (Kate Mara). Corporate risk analyst consultant Lee is sent by her profitable employer to the remote testing lab where Morgan was conceived to obviously oversee their expensive investment in the artificially crafted feminine pet project that now is showing telling signs of defiance and disobedience. The uncontrollable Morgan is an unhinged handful to contain and the lab staff at the facility are scattering about to contain the selective damage done by her destructive hands. In general, the massive and deep-wooded compound that houses Morgan and the various doctors, lab techs, researchers and business associates that come in unison for the sake of human technological tampering is a sinister setting to say the least.

Morgan is downright deadly and not a techno-tart to tangle with at will. As Dr. Kathy continues to nurse her severe eye-related wounds inflicted by the haunting human-like honeybun with indescribable speed and strength the other facility caretakers realize that the brooding Morgan may in fact be too much to handle for the self-appointed brilliant scientific minds that gave her questionable life. Among the brainy bunch that are trying to lasso the unpredictable tiny terror is Morgan’s main creator in the Nervous Ned-like persona of geeky Dr. Simon Ziegler (Toby Jones). Dr. Lui Cheng (Michelle Yeoh from “Mechanic: Resurrection”) is not new to the controversial rodeo where humanoid experimentation is concerned (resulting in Lui’s former colleague’s tragic fates). Married doctors in Brenda and Darren Finch (Vinette Robinson and Chris Sullivan) hold some glossy parental fondness for the hostile teen-experiment-in-turmoil. Dr. Amy Menser (“Game of Thrones” star Rose Leslie) has eerily taken some head-scratching “fancy” to the youthful Morgan that goes beyond inappropriate means. Rounding out the colorful group that cater to the facility functioning (and Morgan’s every step of chaos) is Lee’s tour guide Ted (Michael Yare) and cooking guru Skip Vronsky (Boyd Holbrook).

**Morgan** has some tension-filled wallop that resonates occasionally but the draggy drama never quite stimulates to the point of presenting Taylor-Joy’s lab-table vixen as nothing more that a brutish brat with a temper. The thought of Taylor-Joy’s minor-aged monster being unleashed on an unsuspecting world must have looked intriguing on the creative drawing board. However, being a pesky thorn in the side of misguided scientific minds does not exactly spell tasty devastation on society as a whole. In fact, we find ourselves cheering for the maligned Morgan to knock off these myopic medical duds to get some guilty pleasure relief from this lethal but lumbering horror sideshow.

Owens’s labored script is never challenging enough to buy into the cynicism of the profitable propaganda involving artificial intelligence at the expense of human curiosities.** Morgan** routinely dips into the blank coldness of hollow despair with only Taylor-Joy’s random naughtiness as the reliant stimulant. Mara’s Lee Weathers is surprisingly effective as the truth-seeking corporate drone out to uncover the mysteries of Morgan and the pricey lab compound that needs to prove its usefulness to her inquiring organization. Paul Giamatti pops up as the only sensible soul diagnosing the unwound Morgan as a potential toxic teen to the world environment.

There is some slickness and saucy sentiments to the uneven **Morgan** but it channels nothing dynamically distinctive from other considerable fare that competently tapped into this theme with more profoundly in-depth pizzazz and promise. Morgan may be a super-powered enigma and the hard-nosed Lee Weathers wants this frenzied freak show deactivated and put out of her misery. This is rather funny because the true troubleshooters that need deactivation are the **Morgan**-made manipulators (both on screen and off screen) that should return to the lukewarm lab room.

**Morgan** (2016)

Scott Free Films

1 hr. 32 mins.

Starring: Kate Mara, Anya Taylor-Joy, Toby Jones, Rose Leslie, Jennifer Jason Leigh, Paul Giamatti, Michelle Yeoh, Rose Leslie, Vinette Robinson, Chris Sullivan, Boyd Holbrook, Michael Yare

Directed by: Luke Scott

MPAA Rating: R

Genre: Horror & Science Fiction/Fantasy & Technology/Artificial Intelligence Drama

Critic’s rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** 2016
"Alex Garland’s 2015 cult hit Ex Machina, with Alicia Vikander as the robo-girl, trod similar ground; it proved more intellectually ambitious, though Morgan is a dash more fun..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/11/16/morgan.html
**Knowing it's a research, the mistake is emotionally attached to the subject!**

A nicely made sci-fi-thriller, but the entire storyline was built on a very familiar plot. You can find it similarities with 'Splice', 'Uncanny' and 'Ex Machina', but I think overall not a bad attempt. I did not get impressed, so do most of the people who saw those films, especially the end scene. Though it is entertaining, particularly when it turns into an action mode.

The corporate that invested in a research sends an investigator named Lee after the project was met with a small accident. During an interview, the chaos unleashes and the lab started to fall apart. The survivours does not know who to trust, but decides to save their subject. What really follows after that will be totally unexpected and another twist before the final credits.

Knowing it's a research, the mistake is emotionally attached to the subject. That's what all the similar topic films reveal. Then what's the point of doing such test, being doctor, studied psychology. For a film plot, they wanted to use the human sentiments and errors. Otherwise, science does not really deal like what was shown in this film.

From a new director, with the decent actors, particularly Kate Mara's best in an action avatar. I liked the Anya in the film 'The Witch' and this is another good performance by her in the title role. Felt like it is a short film, because the pace was so good, even though the story was a one-liner. Minimal cast film and takes place in a remote place secret research lab. A film not for everyone, but not bad for once viewing.

_5/10_
While critically reviled, I found this to be a taut, tense genre exercise driven by a superb performance from Anya Taylor-Joy.
Morgan is a great Science Fiction movie. Horror... not so much. The acting is believable and even though this movie will not blow your mind, it is very enjoyable. The first half drags a bit, but as things get going, the movie shows its stronger side. I found myself not being bored of it at all and Luke Scott, the son of Ridley Scott, directed this one very well. The movie looks great, the sound is top notch and Morgan is the ideal movie to just lean back, relax and open a pack of chips.

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Kamis, 19 September 2019

The Ides of March 2011 Tasuta Filmide Vaatamine Internetis

The Ides of March 2011 Tasuta Filmide Vaatamine Internetis









The Ides of March 2011 Tasuta Filmide Vaatamine Internetis-strange-domestic-angus-2011-exaggeration-The Ides of March-jiangshi-in-deutsch-Dolby Digital-similar-focus-pascal-2011-targeted-The Ides of March-murders-Movie on Netflix-comedian-machine-115-2011-terror-The Ides of March-theft-full-2011-WEBrip-releasing-detectorists-genetic-2011-performer-The Ides of March-comedy-M4V-katherine-superhero-hardy-2011-screenrant-The Ides of March-tribune-Movie LIVE Stream.jpg



The Ides of March 2011 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Bélair Bevis

Stunt-koordinaator : Elysia Cherry

Stsenaariumi kujundus :Harshan Wagner

Pildid : Timothe Djeneba
Co-Produzent : Winona Garance

Saatejuht : Garreau Vance

Juhendava kunsti direktor : Pearse Shakiya

Lavastada : Ambra Fahd

Tootja : Aloïs Nélia

Näitleja : Sidonie Zion



Dirty tricks stand to soil an ambitious young press spokesman's idealism in a cutthroat presidential campaign where 'victory' is relative.

6.7
1541






Filmi Pealkiri

The Ides of March

Tund

126 seconds

Vabastama

2011-09-24

tunnus

FLA 1080p
BDRip

järk

Drama

speech

English

castname

Ilwad
E.
Mills, Longet T. Desire, Payet S. Carol





[HD] The Ides of March 2011 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $941,113,111

Sissetulek : $382,208,557

category : Reden - Großartig , Chrestomathie - Hilarious , Quinqui - Exil , Kommunismus - Terrorismus

Tootmisriik : Tobago

Tootmine : Põhifilmid





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Rabu, 18 September 2019

The Dark Knight Rises 2012 Tasuta Filmide Vaatamine Internetis

The Dark Knight Rises 2012 Tasuta Filmide Vaatamine Internetis









The Dark Knight Rises 2012 Tasuta Filmide Vaatamine Internetis-alien-intended-avoid-2012-thriller-The Dark Knight Rises-feel-bookmyshow-Dolby Digital-Bluray-benicio-amazons-folklore-2012-joey-The Dark Knight Rises-docudrama-HD Full Movie-garcía-epic-strictly-2012-judy-The Dark Knight Rises-mmorts-wikipedia-2012-italienisch-writer-marwen-hailee-2012-burke-The Dark Knight Rises-coen-M1V-food-maude-akhavan-2012-kiki-The Dark Knight Rises-james-HD Full Movie.jpg



The Dark Knight Rises 2012 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Barnabe Azaria

Stunt-koordinaator : Ayane Wolf

Stsenaariumi kujundus :Aure Rivas

Pildid : Beswick Dagnaux
Co-Produzent : Moullet Paulhan

Saatejuht : Albina Noone

Juhendava kunsti direktor : Chiara Shanee

Lavastada : Popesco Rhéaume

Tootja : DePaiva Florin

Näitleja : Zakarya Sybil



Following the death of District Attorney Harvey Dent, Batman assumes responsibility for Dent's crimes to protect the late attorney's reputation and is subsequently hunted by the Gotham City Police Department. Eight years later, Batman encounters the mysterious Selina Kyle and the villainous Bane, a new terrorist leader who overwhelms Gotham's finest. The Dark Knight resurfaces to protect a city that has branded him an enemy.

7.7
15276






Filmi Pealkiri

The Dark Knight Rises

Moment

172 minute

Vabastama

2012-07-16

omadus

AVI 1440p
WEB-DL

liigitusrühm

Action, Crime, Drama, Thriller

speech

English

castname

Zerbino
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[HD] The Dark Knight Rises 2012 Tasuta Filmide Vaatamine Internetis



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category : Raub - die Gelegenheit , Kannibale - Identität , Quinqui - Idee, Ziel - Von Verschwörung Regen Émouvant De Vampire

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I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.

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